Sketchbook #72 - Gouache and my bad brain

I think one of the main obstacles in art — at least in the way I experienced it — is the overwhelming number of tools available, and how collecting fine art materials can easily become a real addiction.

Experimentation is important, of course. It’s part of finding what resonates with you, discovering your preferences, and slowly developing your own visual language. But I also realized that, for me, it often became a form of procrastination.
We are constantly bombarded by advertisements and exposed online to incredible artists creating extraordinary work with every possible tool imaginable. It becomes easy to believe that by buying the same materials, somehow we might also become capable of producing the same kind of work.

That is insecurity speaking — the quiet voice convincing you that the next tool will finally unlock something in you.
For a long time, I believed it over and over again.
So I accumulated enough materials to fill an entire store, only to slowly realize how deceptive that mindset could be. Little by little, I began reducing my tools drastically and focusing instead on process, repetition, and attention.

There was also a period in the past when I experimented extensively with gouache and watercolor. These are some very old studies from life or masters — the few that, as usual, did not end up in the fireplace…. imagine the others….

Marco Iozzi

I've been working in the Entertainment industry since 1999 after studying Visual Communication Design.
Today i work as a Concept Artist / Designer and Key Art Illustrator in Art Departments or for VFX after many years as a Matte Painter and 3D Artist.

In my spare time i love to practice traditional drawing and painting, and experiment with image making, music and sound design.


In 2008 i was honored to receive a VES AWARD in Los Angeles for leading a team of VFX artists on a BBC TV Series.

http://www.marcoiozzi.com
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Elena - a few shots